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The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944-1960 (Circles of the Twentieth Century), by Steven Watson
Download PDF The Birth of the Beat Generation: Visionaries, Rebels, and Hipsters, 1944-1960 (Circles of the Twentieth Century), by Steven Watson
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Product details
Series: Circles of the Twentieth Century
Paperback: 399 pages
Publisher: Pantheon; First Paperback edition (February 3, 1998)
Language: English
ISBN-10: 0375701532
ISBN-13: 978-0375701535
Product Dimensions:
7.5 x 1 x 7.2 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#1,856,563 in Books (See Top 100 in Books)
In The Birth of the Beat Generation, Steven Watson takes the reader on a trip through the ups and downs of the main characters of the Beat movement of the 1950s. Beginning with a simple scene setting, he dives right into the childhood years of the major Beat icons. Afterwards, his narrative changes from person as subject to event as subject. Following the introductions of Burroughs, Kerouac, and Ginsberg, each new subsection is informally titled by events Watson considers to be important factors in the evolution of the Beats, i.e. “Getting Published I: The Town and the City,†“Ginsberg Visits the Cassadys,†and “The Renaissance in High Gear.â€It is interesting how these men, meeting each other early in their collegiate careers, always gravitated back to one another. There may have been miles, and sometimes even an ocean, separating them, but they were never truly apart for very long: trips across the country, to Mexico and South America, to Tangiers, to Paris; trips into unknown parts of their psyches; and, finally, trips back home. No matter how many trips they took, they always returned to each other. Watson shows how these friendships borne out of feelings of alienation and euphoria lasted for most of their lifetimes.The book is divided into sections and subsections rather than traditional chapters. This structure can be distracting and unnecessary. It seems as though Watson is attempting to channel some type of Beat influence by avoiding a traditional structure. If this is the case, he is unsuccessful in “Beatâ€-ifying his text. In addition, the book contains much substance about the Beat Generation, but has little new information for the reader. It also lacks analysis and interpretation. It reads as though Watson sat down with the diaries of Kerouac, Burroughs, Carr, Ginsburg, Cassady, Corso, and the supporting cast of Beats to develop a narrative description of the events in their lives. Using a more traditional structure may have been helpful in achieving an analysis of the Beats as well as their influence on each other, their generation, and the Baby Boomers who were coming of age towards the end of the Beats reign.Although the sidebar information is interesting, it is disconnected from the text. Nowhere was the content connected to the sidebar, especially the bookshelf lists and the Beat dictionary entries. The bookshelf entries showed some insight into the reading habits of the main Beat characters, but aside from passive discussion, the lists contributed little to the overall text. As for the dictionary entries, had the terms been used in the body of the text on that page, they would have made more sense.Sadly, Watson treats women as afterthoughts or simply as a crazy, drug or alcohol addicted, sex receptacles. Many women obviously left their marks on the men of the Beat Generation, but Watson skims over a huge potential for in depth analysis through the women in their lives. He tries to make up for it at the end, but lumps female Beats and Kerouac’s and Ginsberg’s mothers in with the stereotypical “beatniks†in the final section. By avoiding a serious discussion of the women of the Beat Generation, Watson leaves a hole in the story of the Beats.
This is the raw,un-sissified, un-sanitized, non-blessed by the smooth,fat inheritors story. Real, Raw, junkies, hipsters, petty criminals, murderers, dark,dark rebels, gay-straight-inbetween, riders on the storm. They couldn't quite hide in the shadows from the man & the pop culture. Both sought them out because they were forbidden, insidious, rebellious. The one to try to jail & silence them; The other to try & make them into insipid canned anti-hero's. They were NIETHER. They were the carriers of the torch in the post war regimented victorious America; thought itself lords of all the world, ruined & bigoted by that victory. All America owes them a debt for saving the country from itself. Little Hunkie The Junkie, strutting Neil Cassidy, bizarre-brilliant William S. Burroughs, all American track star gone bad, Jack Kerouac, the single handed reviver of bardic poetry, Ginsberg; they're all there. You can't make this stuff up. These people are bigger than their legends. Buy the book & edify yourself.
Definitely enjoyed this informative introduction to the Beat Generation. It included a lot of the individuals you don't often hear about after Kerouac, Ginsberg, and Burroughs. It also has a great collection of photos. It shows how the Beat Generation was a group of friends; they were not seeking fame. I also love the road map on the inside cover, which is why I recommend the hardcover edition. Makes a great coffee table book. ;D
I have read another book by this author (Factory Made)and in both he has demonstrated the ability to write an entertaining history. He exhibits a solid grasp of the characters (and they were!) and the times. Very enjoyable book, among the best on this subject and time period.
This book was more comprehensive and informative then I imagined. It didn't shrink from exposing some of the hard and negative aspects of this culture. A definite worthwhile read for students and even scholars interested in the Beat movement.
This is a great book for a numer of reasons. I'm going to list a number of them and then write a bit in conclusion.1. It deals with many of the 'Beats' rather than focusing, as is typical, on Kerouac and Ginsberg and forgetting the rest of them. It provides an illuminating portrait of Burroughs (who is definately a key figure), Neal Cassidy (who is also), and alot of the girls, etc. who were around them. 2. It provides reading lists, etc. of what they were reading. This is HUGE if you want to understand the bitterness/despair that is found in Burroughs and Ginsberg... as well as insight into how they interpretted their life and times (i.e. because they read these books, they in a dialogic sense would interpret things along such-and-such lines.... as a psychologist would interpret a 'vision of God' one way and a believer a second.... 3. Lots of minutia/trivia that is just fun.It's a really good book and more stimulating than one would expect from a book that is in the shape of a square. It would not suffice as a literary biography of any of the authors contained in the 'movement' nor could it supplant any social history book. But, it suppliments them and is fun to read: sort of an academic version of 'Seventeen' at points. I really love this book. I'd definately recommend this book to anyone who wants to become first among their band of friends if all their friends want to do is read a little bit of 'On the Road' and 'Howl' (and then think they know about this time period....
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